Last night I received an email message from K.B.:
I followed your link to Kiernan Ryan's article on Shakespeare. I like that he dared contend with the "universal stories" theory, but, try as I might, I just can't understand, and therefore agree with, his conclusion. For me, it's the language, which I wrote about, then proposed a set of Shakespeare questions, which I would be intrigued to know your responses to.
1. Name the first five lines of Shakespeare that come into your head.In a second message, K.B. added:
No rush, but I do challenge you to brainstorm the first quotes rather than ponder them out. Just write the first five that come up, even if they're from the same play, then check them later. I look forward to your response!
Here are the first five:
"Would he were fatter!" (
Julius Caesar)"O God, I could be bounded in a nutshell and count myself king of infinite space -- were it not that I have bad dreams." (
Hamlet)"O Kate, nice customs curtsey to great kings." (
Henry V)"Well, thou hast comforted me marvelous much." (
Romeo and Juliet)"I am not in the giving vein today... Thou troublest me; I am not in the vein." (
Richard III)But, to be truthful, a lot of lines arrived at the entrance of my mental cattle chute at the same time. The above were those that pushed through. These others were fast on their hooves.
"If this were played upon a stage now, I could condemn it as improbable fiction." (
Twelfth Night)"... for I will be horribly in love..." (
Much Ado about Nothing)"Your means are very slender and your waste is great." (
Henry IV, Part I) [I say this at least a dozen times a month: on the fifteenth and thirtieth while writing bills and in any store when I have company.]
"Away, you scullion! You rampallion! You fustilarian!" (
Henry IV, Part I) [Heh, heh, heh. This is one case in which we have chosen to ignore the lexicon. We continue to ascribe to these epithets innocuous meanings, as in, for example, "Get on with you, you big pain in the butt! You bologna head! You baby!" The true glosses are "kitchen servant," "prostitute," and "untidy fat woman."]
2. The last Shakespeare play you went to see on stage.The Shakespeare Project of Chicago's theatrical reading of
The Winter's Tale in February.
3. The last Shakespeare film homage or adaptation you watched at home or at the movies.Over the weekend, we watched (yet again) scenes from Branagh's
Henry V and
Much Ado about Nothing.4. What Shakespeare homage/adaptation/plays are on your to be read/seen list?A production of
Hamlet with Derek Jacobi in the title role.
5. Name a favorite Shakespeare-inspired work.I'm not sure what you're looking for here, but two favorite titles on my
Shakespeare shelves are Harold Bloom's
Shakespeare: The Invention of the Human and the brilliant (at times, painfully so) memoir
Hamlet's Dresser by Bob Smith.
6. Why do you think Shakespeare's plays are still popular?I'm with Bloom on this one:
Bardolatry, the worship of Shakespeare, ought to be even more a secular religion than it already is. The plays remain the the outward limit of human achievement: aesthetically, cognitively, in certain ways morally, even spiritually. They abide beyond the end of the mind's reach; we cannot catch up to them. Shakespeare will go on explaining us, in part because he invented us....
If Harold Bloom's
Shakespeare: The Invention of the Human is a catechism of bardolatry, then
this is the holy book, no? I'm not so sure the plays are, as you say, "popular" -- they are
essential.