Before dawn
Jupiter and Venus, the two brightest planets, hung in the eastern sky in a conjunction seemingly crafted exclusively for early-rising stargazers.
From
Sky & Telescope's Skywatch ‘04, Your Annual Guide to the Night Sky I learned that today Jupiter and Venus appeared only one degree apart. Hold your arm out and raise your pinkie. The two planets were even closer than the width of your little finger.
And I saw it with the naked eye.
Heh, heh, heh.
Here's a story for you.
The naked eyeIn April 2000, the youngest M-mvs were just 10, 4, and 2.5, but we had already enjoyed several stargazing sessions, including classes at the
Adler (Mrs. M-mv and Master M-mv) and star watches at the Nature Center (the family M-mv). Our "private star parties" (
i.e, M-mvs only), though, were among our favorite adventures in astronomy, and our April 9 party was particularly memorable.
To escape the light pollution, we drove ninety minutes out of the city. Jupiter, Mars, and Saturn "set," and the stars "rose." Amazing. We had worried needlessly that the thin layer of clouds would prohibit good observation; it was the best star party yet.
As always, throughout the party, Mr. M-mv, Master M-mv, and I frequently compared notes on what was observable with the naked eye versus with our binoculars. And, as always, we spent a bit of time wishin' and hopin' about the acquisition of a Dobsonian.
"Did you have a good time?" I inquired of the littlest astronomers when it was time to go.
"Yes!" the youngest M-mvs yelled. "We did!"
"Could you see the moon and the stars?" I asked, hoping to keep their spirits high because a long drive separated them from their beds.
"Oh, yes," said Miss M-mv(i). "And I could even see the naked eye!"
"Me, too! Me, too! I saw the naked eye!" said Miss M-mv(ii).
"The naked eye! The naked eye! We saw the naked eye!" they chanted together.
For an hour and a half.
Yes, that night I titled the book I will never write about our learning adventures.
"The naked eye! The naked eye!"
After dawnAyup. Another story.
In late November 2002, we met
Chris Van Allsburg.
The award-winning author and illustrator did not read his classic,
The Polar Express, aloud. Rather, a professional storyteller gave a reading and Mr. Van Allsburg waited (imperiously) outside, deigning to sign books as frustrated children and their annoyed parents flooded out of the stuffy auditorium at the
Museum of Science and Industry. (Do I sound a little uptight about this? Even now? Four years later? Call it the anal-retentive in me. The event was advertised as an author reading. It was not.)
Still, our two minutes with the author actually became a passage in the family narrative: Van Allsburg spoke to each of us and expressed (seemingly) genuine interest in the fact that we regularly used
The Mysteries of Harris Burdick (which we brought for him to sign) for story-starters and writing prompts. And Miss M-mv(i) (who was a few months shy of seven by then) had an opportunity to tell her then favorite artist how much she admires his "artwork."
Van Allsburg: How are you today?
Miss M-mv(i): Fine, thank you. And how are you?
Van Allsburg: Very good, thank you.
Mr. M-mv: Gabby is our resident artist, and she really admires your books.
Miss M-mv(i) (with her trademark animation): Yes, Mr. Van Allsburg! I just
love your artwork! It's
so wonderful! You do. Such. Good. Work!
Van Allsburg (a little taken aback): Well, Miss M-mv(i). I think you have a future on the stage.
(This remark on the heels of Master M-mv's orthodontist talking with an (as usual) animated Miss M-mv(i) just a few days before and concluding, "She's going to be an actress, no?")
This morning, I opened
The Mysteries of Harris Burdick to a page at random.
MR. LINDEN'S LIBRARY
-----------------------
He had warned her about the book. Now it was too late.
He does. Such. Good. Work.
At 7:03 a.m.Birds at the feeders. That and the black blanket dotted with stars like Nan's robe of starry-brightness in
The Wind Boy (Ethel Cook Eliot) — the night sky in the country. These are the things I like about life here.
I watched the birds over my coffee and copy of the
Sun-Times. And suddenly I remembered the owl that we saw on the roadside Tuesday afternoon. Whether he was dead or gravely injured or simply pausing in his travels, we'll never know. He was as still as death, eyes shut. But he was erect and not in the road.
So large. And beautiful. And incongruous. What sort of owl was it? A Great Horned Owl, I think. Telltale ear tufts.
Birds in the feeders. Night skies.
And the view from the kitchen window.

And the view from the big window in the livingroom.
Trees and grass.
Chipmunks, squirrels, and the pair of racoons who peek in the window every night to see whether it's a book or a film or a game that we're about this time.
Garage parking. Our own garage.
Deer.
The sounds of silence.
The way the morning smells. And the night. Clean and clear.
Pine needles in the girls' hair when they come indoors.
Even piles of leaves.
These are the things I like about life here.
But I miss Chicago. And now I've said it.
This is our family's birds-at-the-feeders-and-night-skies time.
A return to Chicago is inevitable, though. A return to Chicago
is inevitable.
If one says a thing often enough it becomes a truth. Of sorts. And one can then amble on, content.
For now.
Then, at 7:15 a.m.Flipping through the paper, "The Meeting Place" banner became, perhaps appropriately enough, "The Mating Place" to my reader's eye, and I had to page back to ensure that, in fact, the good folks at the
Sun-Times had not changed the name of their personals pages.
They have not.
At 7:22 a.m.The Art of Making and Using Sketches (G. Fraipont) was first published in London in 1892. Our copy was published in 1916. We found this treasure at the [insert county name] Historical Society's Cider Fest last month, and it is now one of Miss M-mv(i)'s regular companions, as much for what it contains, I suppose, as for the way it feels and smells. She read aloud from the introduction on the way home from the fest:
The art of making a sketch is, in fact, the art of recording by a few strokes of the pencil or touches of the pen the remembrance of a thing we have seen, or the impression of a scene we have imagine.
A sketch bears the same relation to a finished drawing as shorthand notes bear to a revised report. I here speak, of course, of the note-sketch rapidly set down....
7:25 a.m.And then they were all awake. Hugs and hellos and hotcakes and Hamlet and "Hurry! Hurry!" or "Hush, hush" (depending on which creature was visiting the feeder or mincing its way across the property or porches or patio).
By the late afternoonI had learned:
That when the hair stylist asks if you want your hair blown dry, you must (a) admit that one of the reasons you favor a medium-short bob is because any stylist with a license can do it (right?); hence, you can choose a salon that accepts competitors' coupons and spend the money saved on books; and (b) realize that more money is involved — exactly $8. So much for money saved.
That a dash of fatalistic humor is required in order to drive oneself from the service station back home to shower and change after dousing one's own foot, leg, arm, and abdomen with gasoline. Quite by accident, of course. While filling the family mini van in preparation for the weekend's adventures. To take everyone's mind off the stench and the potentially explosive situation, I popped at Donut Gem in my mouth whole and blew powder through its tiny hole, sending the young M-mvs in giggle spasms and earning an appreciative smirk from Master M-mv. I was
thisclose to choking on said Donut Gem when I recovered myself.
That I am much too old to stuff my mouth with Donut Gems.
That I am much too old for Donut Gems. Period.
That when Miss M-mv(i) asks for shells, apparently she does not mean stuffed shells. I learned this after a $75 trip to Dominick's, ostensibly for shell fixin's, but, naturally, for everything else on the family's running list. Bleach. Orange juice. Cereal. Chicken's on sale. And so on. Home again, home again. Bags unpacked. Water on to boil. Oven preheating. One cheese grated. The other mixed. Shells stuffed. And so on. A hyphenated meal (lunch-dinner) is served. "Why are these shells so big?" asks Miss M-mv(i). And then, with something approaching horror coloring her voice, "And what on earth is inside these things?" It seems that all the young artist wanted was pasta shells. You know. Those cute little shells in box. Boil ‘em. Throw some sauce in the pot. A dollar a box at Jewel.
That if you have six items on hold at the library and you drive right past the library because you are certain that, since they called yesterday and you already picked up that item, nothing could be there for you today, then, when you arrive home, there will be a message from the library indicating that an item you have requested is being held for you for one week. And you will be a little frustrated. Especially if you listen to such a message after learning that "shells" doesn't mean "stuffed shells."
At 4:44 p.m.The library in our town is small and mostly features the sort of books that will end up lining the tables of a Friends library sale in a few years. But they get what I need, quickly and without too much eye-rolling.
At 5:13 p.m.Jewel. Only two items on the list: shells and Christmas tree incense, which goes on display there on November 1 and stays there until the day after Christmas.
At 6:15 p.m.While waiting for brother, the Misses M-mv identified in the is-it-already-night dark sky Cassiopeia, Perseus, Cygnus, and Pegasus and discussed
Bruce Coville's retelling of Hamlet with a sort of matter-of-factness that staggers me.
It's 9:29 p.m.The Misses M-mv are quiet, if not quite asleep. Mr. M-mv has finished
Shipwrecks of Lake Michigan (Benjamin J. Shelak) and is casting about for a new friend. Master M-mv has declared
The Greenhaven Press Literary Companion to British Literature: William Shakespeare, The Histories, "Adequate but hardly Bloom or Asimov," and is angling for an extra hour or two to spend on what he calls "his reading," which currently comprises four selections from the history book club, including
The D-Day Experience (Richard Holmes). And I am ready to curl up with Benjamin Cheever's
The Good Nanny, which ranks up there with
Little Children (Tom Perrotta; see
our 6.9.2004 RDA) and
The Nanny Diaries (Emma McLaughlin) as scathing social commentary on contemporary parenting and coupling and careerism and... Oh, bother. Read them. They're quick, good, thought-provoking.
At 9:49 p.m.From the window behind my rocking chair, I can see a large patch of black blanket sky sprinkled with stars. It awes me. And then I remember that I am driving into Chicago tomorrow. And I think, in teenage vernacular, "Awesome!"